Naturgesetz, etc.

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Re: Naturgesetz, etc.

Postby Naturgesetz on Fri Aug 25, 2017 11:36 am

It's the final weekend of this year's Boston Symphony season at Tanglewood. As has become traditional, the final piece on Sunday will be Beethoven's Ninth Symphony. Friday evening's concert will be the score to "E.T. the Extra-Terrestrial" performed by the Boston Pops to accompany a showing of the movie. For whatever reason, it will not be broadcast. Perhaps it doesn't work without the visuals. Instead, WCRB will give us a reprise of a concert from last summer.



Friday, August 25, 2017. WCRB tells us they will rebroadcast
Sir Andrew Davis, conductor
Lisa Batiashvili, violin

VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis
DVORÁK Violin Concerto
SIBELIUS Symphony No. 5

Recorded July 22, 2016.
This encore broadcast is not available on-demand.



(Emphasis added.)

At the time the performance took place, the BSO performance detail page https://www.bso.org/Performance/Detail/77804/ told us
English conductor Sir Andrew Davis-currently music director of the Lyric Opera of Chicago and chief conductor of the Melbourne Symphony Orchestra-returns to the Shed stage for the first time since 2008. To open the program, he leads the Boston Symphony Orchestra in Vaughan Williams's haunting Fantasia on a Theme by Thomas Tallis, inspired by a melody by the great English Renaissance composer. Renowned Georgian violinist Lisa Batiashvili joins the orchestra for Dvořák's Violin Concerto, and Maestro Davis and the BSO close the program with Sibelius's soaring Symphony No. 5, written in 1915 on commission from the Finnish government in celebration of the composer's 50th birthday and subsequently revised in 1916 and 1919.

It should be worth listening to.


Saturday, August 26, 2017, brings vocal soloists to the stage along with the Boston Symphony. To wit:
On Saturday, August 26, soprano Kristine Opolais, bass-baritone Sir Bryn Terfel and the Tanglewood Festival Chorus join Music Director Andris Nelsons and the Boston Symphony Orchestra for an evening of opera and song.Bass-baritone Sir Bryn Terfel replaces baritone Dmitri Hvorostovsky in the Boston Symphony Orchestra's Saturday, August 26, opera gala program at Tanglewood.

(Some emphasis added.)

But wait, there's more from the performance detail page. https://www.bso.org/Performance/Detail/85540/ Here's the complete list of pieces:
PUCCINI Tosca, Act II
WAGNER "Entrance of the Guests" from Tannhäuser, Act II
WAGNER "Wie duftet doch der Flieder" (Hans Sachs' "Flieder monologue")
from Die Meistersinger von N├╝rnberg, Act II
DVOŘÁK "Song to the Moon" from Rusalka, Act I
DVOŘÁK Polonaise from Rusalka, Act II
GERSHWIN From Porgy and Bess:
Introduction and Jasbo Brown Blues, from Act I
"Summertime," from Act I
"I got plenty o' nuttin'," from Act II
"Bess, you is my woman now," from Act II

The program notes, available by a link from the performance detail page, tell who will perform in which pieces.

I'll have to miss this one because my high school class, most of whom were born in 1942, is having a 75th birthday party that evening. Opera may not exactly be your cup of tea; and I must admit, the selections (other than the Entry of the Guests, which is magnificent) are not what I would have chosen. So I can understand if you decide to give it a pass. On the other hand, if you don't know the music, why not give it a try. I'd listen if I were at home.


Sunday, August 27, 2017. For several years, the Beethoven 9th was the only piece performed at the Sunday afternoon season finale. Recently, there has been a curtain raiser to precede it, as is the case this year. Again, the performance detail page gives some particulars: https://www.bso.org/Performance/Detail/85541
For the second year in a row, Andris Nelsons leads the Boston Symphony Orchestra in its traditional season-ending performance of Beethoven's Ninth Symphony, Sunday, August 27. The performance features soprano Katie Van Kooten in her BSO and Tanglewood debuts; mezzo-soprano Tamara Mumford; tenor Russell Thomas; and bass-baritone John Relyea, along with the Tanglewood Festival Chorus. Maestro Nelsons and the BSO open the program with Charles Ives's tribute to Western Massachusetts, "The Housatonic at Stockbridge" from Three Places in New England.

(Some emphasis added.)


As usual, you can hear it all via WCRB http://classicalwcrb.org/#stream/0 at 8:00 p.m. Friday and Saturday and 7:00 on Sunday, EDT. Enjoy.

Between now and the opening of the Symphony Hall season on September 22, they will rebroadcast concerts from last April. In addition, they will broadcast and stream Opening Night on Friday, September 22, beginning at 5:30. You can see the specifics at their Upcoming BSO page. http://classicalwcrb.org/programs/upcom ... sts?page=1
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Sep 02, 2017 11:21 pm

Sorry to be so late. I've been busy. Here are the essentials from the WCRB website.
http://classicalwcrb.org/post/all-frenc ... u#stream/0
Saturday, September 2, 2017
8:00 PM

This is an encore broadcast originally recorded on April 1, 2017.

Alain Altinoglu, conductor
Renaud Capuçon, violin

BERLIOZ Roman Carnival Overture
LALO Symphonie espagnole
DUTILLEUX Symphony No. 2, Le Double
ROUSSEL Bacchus et Ariane, Suite No. 2

Hear the concert on demand

Hear a preview with Alain Altinoglu on The Answered Question:


T
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Sep 09, 2017 5:06 pm

This week, WCRB's http://classicalwcrb.org/#stream/0 Saturday evening Boston Symphony broadcast (also streamed) is the concert performed on April 15 of this year. It consists of Piano Concerto No. 20 in d minor by Mozart, with Mitsuko Uchida as soloist. After intermission the orchestra plays Anton Bruckner's Symphony No. 6. Music Director Andris Nelsons is on the podium.

I posted briefly about it at the time, but since I hadn't attended an earlier performance of the program, I had no comments of my own. I did include this synopsis from the Orchestra's performance detail page
Japanese pianist Mitsuko Uchida, one of the foremost Mozart pianists of our age, plays the composer's mysterious, stormy, proto-Romantic D minor piano concerto, a work owing much to the composer's sensitivity to operatic drama and emotion. Bruckner's seldom heard Symphony No. 6, written between 1879 and 1881, was the work he considered his boldest, though only the second and third movements were performed during his lifetime. Gustav Mahler led all four movements-but with cuts-in 1899, in Vienna; the first complete, uncut performance was given in 1901, in Stuttgart. Energetic, lyrical, and expansive, the Symphony No. 6 is a uniquely absorbing example of the composer's monumental symphonic style.

as well as links to reviews.

The show begins at 8:00 p.m. Boston Time on Saturday, September 9, 2017. Enjoy!
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Sep 16, 2017 6:05 pm

The BSO's Symphony Hall season will open on Friday, September 22 (and will continue through Saturday, May 5, with the usual month off in December). For the final week of rebroadcasts, WCRB has chosen the concert of April 22, 2017. Radu Lupu joins the orchestra and Maestro Andris Nelsons as soloist in Piano Concerto Ôäû 24 in c minor by Mozart. Then we hear the same composer's Requiem with the Tanglewood Festival Chorus and four vocal soloists.

Here's a link to the orchestra's performance detail page, https://www.bso.org/Performance/Detail/79696/ where you can find the usual links the usual background information. Posting about it at the time, I noted generally favorable reviews and gave my own favorable impressions, implicitly suggesting that the reviewers were a bit too dramatic.

I can't listen because I'm going to a concert performance of Tchaikovsky's opera "The Maid of Orleans," http://www.odysseyopera.org/2017-tchaik ... f-orleans/ which opens Odyssey Opera's 2017-2018 season. But if I were going to be home. I'd certainly enjoy hearing the BSO concert again. I definitely recommend listening over the air or the internet at 8:00 p.m., Boston Time, via WCRB. http://classicalwcrb.org/#stream/0
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Re: Naturgesetz, etc.

Postby Naturgesetz on Fri Sep 22, 2017 8:12 pm

This evening WCRB http://classicalwcrb.org/#stream/0 will broadcast/stream the Boston Symphony's opening night gala. It's an all-Bernstein program, as the orchestra begins to mark the centennial of his birth (in Lawrence, Massachusetts). The concert begins at 6:00 and is expected to end at about 7:30. The broadcast begins at 5:30. The performance detail page https://www.bso.org/Performance/Detail/88882/ says the following:
In several concerts this season the BSO celebrates the centennial of the great Leonard Bernstein, the legendary conductor, Broadway and concert composer, pianist, educator, and personality whose talent changed the course of American music. Born in Lawrence, MA, in 1918, Bernstein attended Boston Latin School and Harvard University. A member of the very first class of the Tanglewood Music Center in 1940 and a prot├®g├® of legendary BSO conductor Serge Koussevitzky, Bernstein remained a dynamic, irrepressible, and inspiring presence at Tanglewood for fifty years. Led by Andris Nelsons, this Opening Night program features popular vocal selections sung by host Frederica von Stade and acclaimed soprano Julia Bullock, as well as BSO principal flute Elizabeth Rowe. Bookending the program are the composer's delightfully varied Divertimento and familiar, vibrant music drawn from West Side Story.

(Some emphasis added.)

The actual listing of the program will enable you to make sense of the last two sentences I quoted from the page.

"West Side Story" is overly familiar, but I'm looking forward to the instrumental pieces at the beginning.

Again, remember this is Friday, beginning at 5:30, Boston Time. The Saturday concert will be at the usual time.
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Sep 23, 2017 10:16 pm

We read in the BSO program detail page: https://www.bso.org/Performance/Detail/88591/
Franz Joseph Haydn and Gustav Mahler defined the genre of the symphony during their respective eras- Haydn as one of its originators in the late 18th-century Classical era, and Mahler as revitalizer and innovator at the end of the Romantic era. Haydn's Drumroll Symphony-not performed by the BSO since 1995-was the next-to-last symphony he wrote, in the first half of the 1790s. Written nearly 100 years later, the first of Mahler's nine symphonies employs folk-music references and a conventional four-movement form that have their foundations in Haydn's time. Its expanded scope and instrumentation are evidence of the genre's 19th-century transformation as well as Mahler's own stretching of the form.

(Some emphasis added.)

As in prior seasons, the program detail page also has links to performer bios (Click on the thumbnail photo.), program notes, audio previews, and a video podcast.

Also as in prior seasons, WCRB http://classicalwcrb.org/#stream/0 will stream and broadcast the concert, beginning at 8:00 p.m., Boston Time (EDT). Their homepage has links to information about many other offerings on the station. I don't see anything telling us that the concert will be rebroadcast on Monday a week from now, as was formerly the practice, so we'll have to wait and see.

Both symphonies are staples of the orchestral repertoire, so the program should be enjoyable listening (withe the Haydn somewhat more to my taste).

Enjoy.
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Sep 30, 2017 10:31 pm

This week the BSO gives us Piano Concerto No. 4 by Beethoven, with Paul Lewis as soloist. After intermission it's Shostakovich's 11th Symphony, "The Year 1905." Music Director Andris Nelsons is on the podium. The orchestra's program detail page https://www.bso.org/Performance/Detail/88595/ has this to say about it.
The BSO and Andris Nelsons continue their multi-year survey of the complete Shostakovich symphonies with his Symphony No. 11, which the BSO has never performed. Conceived to commemorate the 40th anniversary of the first, failed Russian Revolution (thus the nickname The Year 1905), it was completed in 1957 and earned Shostakovich the prestigious Lenin Prize, a sign of considerable official approval. In keeping with its subject matter, the symphony makes extensive reference to Russian revolutionary songs. To begin the program, English pianist Paul Lewis is soloist in Beethoven's lyrical and poetic Piano Concerto No. 4, which famously opens with a disarmingly intimate passage for solo piano.

Also see the performance detail page for the customary links to performer bios, program notes, audio previews and podcasts.

During the Symphony Hall season The same program is usually given on Thursday, Friday, and Saturday, an sometimes on the following Tuesday. So reviews are often available for me to refer to, and often I attend a Thursday performance, enabling me to give my own observations. This week both the Boston Globe https://www.bostonglobe.com/arts/2017/0 ... story.html and the Boston Musical Intelligencer https://www.classical-scene.com/2017/09 ... nt-heroic/ found Lewis less emotional than they'd have liked in the Beethove ÔÇö not that they could point to anything actually wrong, just that they'd have liked a different interpretation. Both reviewers liked the Shostakovich. As usual, the Globe, with space limitations, gives mostly background information, while BMInt says more about the actual performance.

My own impression was that the Beethoven was nicely done. I'd never heard the Shostakovich before, and, since there is no break between the four movements and there were more changes of mood than movements, I couldn't tell where one movement ended and the next began. But that's okay. There were parts that seemed to evoke the chill of winter and parts that clearly represented the violence of the troops firing on the people. There were parts that were very loud, and parts so soft I could barely hear them. Overall, I found it fascinating, and I'd say it's not as "difficult" as some of Shostakovich's music.

The broadcast and stream will be on WCRB http://classicalwcrb.org/#stream/0 at 8:00 p.m., Boston Time this evening, September 30. Their home page, where you find the Listen Live button, also has a link to their podcast with interviews about the concert, among other things; and you can also access further information about their programming. (There is an indication that the 8:00 p.m. slot on Mondays is also given to BSO performances. It may well present rebroadcasts of concerts from nine days earlier.)

I'm sure you'll like the Beethoven concerto. Why not stick around and give the Shostakovich symphony a try?
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Re: Naturgesetz, etc.

Postby ml on Thu Oct 05, 2017 6:29 am

I am just a shade older than you and I too feel younger than I remember my grandfather looking at 65. I have been wondering if because life has been softer for us than back then are we aging slower .
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Oct 14, 2017 9:55 pm

ml wrote:I am just a shade older than you and I too feel younger than I remember my grandfather looking at 65. I have been wondering if because life has been softer for us than back then are we aging slower .

I hadn't thought of that, but it's certainly possible.
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Oct 14, 2017 10:03 pm

I'm sorry I missed posting last week. My browser was very slow, and I couldn't get the post up on time. As I note below, WCRB is rebroadcasting and streaming the concerts, so you can hear last week's concert on Monday, October 16, at 8:00 p.m., Eastern Daylight Time. Here's the url for the program detail page, where you can read all about it. https://www.bso.org/Performance/Detail/88598/


The Boston Symphony Orchestra's program detail page https://www.bso.org/Performance/Detail/88601/ synopsizes this week's program as follows:
Spanish conductor Gustavo Gimeno and American violinist Hilary Hahn join forces for Dvo┼Ö├ík's Violin Concerto, composed in 1879 for the great Joseph Joachim. At times lyrical, Dvo┼Ö├ík's concerto also contains passages of great energy based on music from his Czech heritage, especially in the delightful, dance-like finale. Also based on music from Central Europe, Gy├Ârgy Ligeti's early "Romanian Concerto" is a Bart├│k influenced orchestral work from early in the great Hungarian composer's career. Robert Schumann's First Symphony is bursting with energy, power, and optimism.

(Emphasis added.)

The reviews in both the Boston Globe https://www.bostonglobe.com/arts/music/ ... story.html and the Boston Musical Intelligencer https://www.classical-scene.com/2017/10 ... lary-hahn/ were quite favorable, both overall, and particularly with regard to Hilary Hahn (with the Intelligencer gushing). I was there on Thursday and found it all enjoyable to listen to, although there was nothing that I'd consider spectacular, just good playing. The third horn in the Ligeti was played offstage through a door that was ajar. Mike Winter seemed slightly embarrassed to come onstage for a bow when other soloists were asked to stand, and he stayed to the side, just inside the door.

You can hear it all this evening over WCRB http://classicalwcrb.org/#stream/0 radio or internet at 8:00 p.m., Boston Time. Their homepage has links to additional information about their programs, including future BSO concerts and other special programs. It seems that they are also repeating the concerts on Monday evenings a week later, so last week's will be rerun on October 16, and tonight's, on October 23. The repeats are also at 8:00 p.m.
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Oct 21, 2017 9:37 pm

This week, it's "incidental music" ÔÇö music written to go with plays ÔÇö at the BSO. It's not part of my subscription so I haven't heard it and can't comment on the performance. Also, as of this writing, no review has appeared in the Boston Musical Intelligencer. But the orchestra's performance detail page https://www.bso.org/Performance/Detail/88605/ gives ÔÇö in addition to all the usual links to further information ÔÇö the following description:
Bill Barclay and his creative team return to join BSO Associate Conductor Ken-David Masur for an imaginative treatment of Grieg's music for Ibsen's fantastical folk-play Peer Gynt. Rough and rustic, negligent and occasionally criminal, Peer Gynt undergoes many adventures-among them kidnapping his erstwhile fianc├®e, encountering the Mountain King and begetting a son by the king's daughter, traveling in North Africa, and sidestepping the Devil. Opening the program is Beethoven's incidental music for Goethe's tragedy Egmont, featuring soprano and narrator along with the orchestra, and best-known for its overture, which is frequently heard on its own. The play tells of the Flemish Count Egmont's refusal to relinquish his ideal of freedom in his struggle against the tyrannical Duke of Alba.

(Some emphasis added.)

The Globe review https://www.bostonglobe.com/arts/music/ ... story.html is mixed. Of course, you won't be able to see the action on stage, but you can hear the music, and whatever spoken words are part of the show.

Listen over WCRB http://classicalwcrb.org/#stream/0 tonight at 8:00 p.m., Boston Time (with a rebroadcast scheduled on Monday, October 30)., and see how well the music does on its own. Some of it has been in the standard repertory since it was composed. Check out the rest of the station's offerings through the links on their home page. On Monday, October 23 at 8:00 you'll have your chance to listen again to last week's concert of Ligeti, Dvořák, and Schumann.

Happy Listening!
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Oct 28, 2017 1:55 am

This week's Boston Symphony concert is a single work, "The Damnation of Faust" by Hector Berlioz conducted by Charles Dutoit. I was at the Friday matinee and found it very enjoyable ÔÇö excellent music very well performed by soloists, orchestra, and chorus. All the usual links to background information ÔÇö performer bios (click on the photos), program notes, audio preview, podcast ÔÇö are available at the orchestra's performance detail page, https://www.bso.org/Performance/Detail/88609/ along with the following blurb:
Charles Dutoit leads the BSO and an outstanding cast in Hector Berlioz's magnificent The Damnation of Faust. Goethe's Faust resonated strongly in the Romantic era, particularly the title character's attempt to transcend human limitations via science and magic at the cost of promising his soul to Mephistopheles. The very human tragic love story, centered on Faust and Marguerite, looms large in Berlioz's setting, which was the first major work to grapple with Goethe's far-reaching text. The Damnation of Fausthas held a special place in the BSO's repertoire since Koussevitzky led the orchestra's first complete performances in 1934, and it was recorded by the BSO under both Charles Munch (twice!) and Seiji Ozawa.

Both reviews were quite favorable, giving more information about the piece than the performance, but the Globe https://www.bostonglobe.com/lifestyle/s ... story.html and the Boston Musical Intelligencer https://www.classical-scene.com/2017/10 ... cket-ride/ both liked what they heard. I found the music always descriptive of what was happening, and I was especially moved by the final section, in which Marguerite is welcomed to heaven.

There were surtitles (which didn't seem to translate every line of the text, but at least gave the gist of it). I'm not sure how well it will work without being able to see them. Here's a link to the text, https://archive.org/stream/damnationoff ... h_djvu.txt alternately in English and French, with some introductory material. The layout is not ideal, but if you sort through it, it's all there. At the least, you'll probably want to follow the synopsis given in the program notes.

As always, you can hear it on WCRB http://classicalwcrb.org/#stream/0 at 8:00 p.m., Boston Time, and I highly recommend it. If you can't catch it live, it will be rebroadcast at 8:00 on Monday, November 6. (Meanwhile, on October 30, the rebroadcast will be of last week's Beethoven and Grieg incidental music.) The WCRB website has information about future BSO concert broadcasts and other programming on the station.

Enjoy!
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Nov 11, 2017 11:46 pm

Sorry I missed last week. My computer couldn't connect with Cat's Chat last week. The Boston Symphony was away last week, on a tour of Japan. The tour is over, but they're not performing in Boston this week. So last Saturday and today, we're enjoying WCRB's "encore performances from last summer's Tanglewood season.

Today WCRB rebroadcasts the Tanglewood concert of July 28 this past summer. Here's the description from the BSO program detail page: https://www.bso.org/Performance/Detail/85544/
Charles Dutoit is joined by pianist Yefim Bronfman for Brahms's Piano Concerto No. 2, one of the composer's most barnstorming, free-spirited works. The BSO opens the program with the Overture to Beethoven's The Creatures of Prometheus. Mr. Dutoit also leads the orchestra in Dvorak's New World Symphony.

(Some emphasis added.)

Check out the program detail page for the usual links as well. I don't see reviews in the Boston Globe or the Boston Musical Intelligencer (They don't cover all Tanglewood concerts.) so you don't get any pointers from the critics. You'll probably like it, though. The Brahms and Dvořák pieces are favorites, and the Beethoven overture, while not one of his most famous pieces, is typical Beethoven.

As always, you can hear it all over WCRB, http://classicalwcrb.org/#stream/0 beginning at 8:00 p.m., Boston Time (now Eastern Standard Time).
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Re: Naturgesetz, etc.

Postby Naturgesetz on Sat Nov 18, 2017 7:15 pm

This week we hear BeethovenPiano Concerto No. 3 — and MahlerSymphony No. 1 — with Andris Nelsons on the podium and Martin Helmchen at the piano. The orchestra's performance detail page https://www.bso.org/Performance/Detail/88611/ has the usual links to podcasts, program notes, audio previews, and performer bios. (Click on the thumbnail photos.) It also gives this description of the program:
The young, Berlin-born pianist Martin Helmchen, who made his BSO debut in 2011 at Tanglewood with Schumann's Piano Concerto and his subscription series debut in 2015 with Beethoven's Piano Concerto No. 5, Emperor, is now featured in Beethoven's Piano Concerto No. 3, which pays homage to Mozart and Haydn while also exhibiting Beethoven's own intense individuality. Written nearly a century later, the first of Mahler's nine symphonies employs folk-music references and a conventional four-movement form that have their foundations in Haydn's time. Its expanded scope and instrumentation are evidence of the genre's 19th-century transformation as well as Mahler's own expansion of the form.
On the advice of his doctors, conductor Christoph von Dohnányi has regrettably been forced to withdraw from the Boston Symphony Orchestra concerts in Boston November 16-18 as he continues to heal and regain his strength following a fall he suffered earlier this year. BSO Music Director Andris Nelsons will replace Maestro von Dohnányi for the program, which will include Beethoven's Piano Concerto No. 3, featuring Martin Helmchen, and Mahler's First Symphony.

Originally there were to be three works in addition to the Beethoven, but when Maestro von Dohnȧnyi had to cancel his appearance, they decided to perform the Mahler instead. It is more usual for the orchestra to perform the originally scheduled works under such circumstances. The Globe reviewer points out that the recent tour probably made it more difficult for Maestro Nelsons to prepare and rehearse the other works than if that had been the plan all along.

The Boston Musical Intelligencer gives us a rave review, https://www.classical-scene.com/2017/11 ... n-nelsons/ not only praising the performances themselves, but finding depths of meaning in them. I was in the audience on Thursday — in the second balcony where I could see much of the keyboard in the Beethoven. I was amazed at how Mr. Helmchen's fingers flew over the keyboard, giving a powerful sound, while at times playing so softly that he was barely audible where I sat. Even with Symphony Hall's vaunted acoustics, I suspect that some in the rear of the auditorium must have had to take it on faith that he was playing the notes at those points. It was definitely a gripping performance. As for the Mahler — sometimes when listening to a work of that length I find myself thinking that it has gone on long enough, but this performance held my interest from beginning to end. It was never dull, and while I didn't see the layers of meaning the BMInt reviewer did, I found it all very powerful music, even the slow and quiet parts.

The reviewer in the Globe https://www.bostonglobe.com/arts/music/ ... story.html seems to have experienced Helmchen and Beethoven similarly, but was less pleased with what she heard, apparently preferring a more refined approach to the music. And in the Mahler she heard a masterful performance, but rather than dramatic meanings she saw it as Andris Nelsons finding "his happy place."

In short, I think this was an exceptional concert, well worth hearing. And hear it you can over WCRB http://classicalwcrb.org/#stream/0 on air and on the internet this evening at 8:00 Boston Time (EST). If you have to miss all or part of it this evening, there will be the make-up rebroadcast on Monday, November 27, also at 8:00. The WCRB page also has links to information about their other programs, including a podcast with an interview with Martin Helmchen and an preview of next summer's Tanglewood season.

Enjoy!!
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